Given the astonishing speeds and dazzling range of skills exhibited by the great tabla virtuosos, it is understandable how one might assume that learning to play may be practically and culturally inaccessible.

However, the basics of tabla - i.e. technique and traditional material - can be straightforward when presented logically and systematically. If regular practice can be incorporated into one's life in a realistic way, progress and enjoyment will inevitably follow.

The heart of classical tabla is a mnemonic notation-system, which can be recited, written down (for the early stages of learning), but which is ultimately to be memorised; this is an internally generated system, as opposed to that based on the reading of a score. All of the strokes have onomatopoeic names such as: dha ti ge na tin ke, which is how the traditional themes and compositions are learned. Inherent in this phrasing are the characteristic complexities, sonority and cross-rhythms.

Most people choose to study tabla one-to-one, and it is generally best to think in terms of a trial period of four to six weeks. If you are interested in tuition just contact me to arrange an initial meeting.

Steve Morley first studied tabla in Varanasi (formerly known as Benares) in the early 1980s with Pt. Chotelal Misra - disciple of the legendary guru and maestro, Pt. Anokelal Misra - and was subsequently initiated as a chela in accordance with Indian musical tradition. In recent years, Steve has also been under the tutelage of well-known Benares tabla master, Pt. Sharda Sahai.